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・ Villa General Mitre Airport
・ Villa General Roca
・ Villa Gernetto, Lesmo
・ Villa Gesell
・ Villa Gesell Airport
・ Villa Gesell Partido
・ Villa Giardino
・ Villa Ginanneschi-Gori, Siena
・ Villa Giovanelli Colonna
・ Villa Girasole
・ Villa Giulia
・ Villa Giulia (Naples)
・ Villa Giulia (Palermo)
・ Villa Giusti
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Villa Godi
・ Villa González
・ Villa Gordiani
・ Villa Grande
・ Villa Grande (disambiguation)
・ Villa Grande, California
・ Villa Grazioli
・ Villa Gregoriana
・ Villa Grimaldi
・ Villa Group
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・ Villa Grove, Colorado
・ Villa Grove, Illinois
・ Villa Guardamangia
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Villa Godi : ウィキペディア英語版
Villa Godi

Villa Godi is a patrician villa in Lugo di Vicenza, Veneto, northern Italy. It was one of the first projects by Andrea Palladio, as attested in his monograph ''I quattro libri dell'architettura''. The work was commissioned by the brothers Girolamo, Pietro and Marcantonio Godi, started in 1537 and concluded in 1542, with later modifications to the rear entry and gardens.
The villa has been designated by UNESCO as part of the World Heritage Site "City of Vicenza and the Palladian Villas of the Veneto".
The villa and extensive gardens are open to the public in the afternoon, year round. The building also houses a museum of archeology in the basement, with hundreds of fossils of plant and animal life in the region. Its large park was laid out in the 19th century and was used as a film location for ''Senso.
==Architectural details ==

The building is striking for the lack of ornamentation usually associated with Palladio's mature work, and for the refined, symmetrical proportions of the façade and massing of the structure.
The plan is arranged with suites of apartments arranged symmetrically on each side of the main sala and a recessed entry ''loggia''. The plan published in ''I quattro libri dell'architettura'' 28 years after the building's completion is probably a revision of Palladio's original design and includes an extensive complex of farm buildings which are not part of the actual realisation.
This preliminary work by Palladio still demonstrates characteristics of the architecture of his time. A harmonic unity of landscape and architecture does not yet seem to have been an aspiration. The building is a massive block consisting of three distinct parts. The public space of the reception area (the sala) is clearly distinguished from the domestic living areas and the ensemble does not present a unified appearance. The flight of entrance steps is flanked by balusters and its width corresponds to the middle arch of the arcade of the loggia.〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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